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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Disney
Disney
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‘Bridge of Spies’ Trailer: Tom Hanks and Steven Spielberg’s Cold War Thriller Looks Mighty Cool

When Tom Hanks and Steven Spielberg last made a war film, they produced Saving Private Ryan, which was nominated for 11 Academy Awards, and features what’s widely considered one of the greatest battle scenes ever captured on film. They’ve worked together since, including on Catch Me If You Can, one of the best movies of either man’s career, but Bridge of Spies might be considered a kind of spiritual sequel to Ryan. That was Hanks and Spielberg’s World War II picture. This is their Cold War one.

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Warner Bros.
Warner Bros.
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Clint Eastwood to Direct Movie About Heroic Pilot Chelsey ‘Sully’ Sullenberger

On January 15, 2009, US Airways Flight 1549 was struck by a flock of geese during takeoff from LaGuardia Airport. The plane’s captain, Chelsey “Sully” Sullenberger, successfully brought the plane down in the Hudson River, where all 155 passengers and crew members were evacuated and survived. It was an incredible story, one that played out in real time on the news; I vividly remember being at the 2009 Sundance Film Festival and watching the whole rescue play out on television.

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Jaws
Universal
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‘Jaws’ Is Coming Back to Theaters For Its 40th Anniversary

On June 20, 1975 a movie about an angry fish opened in about 500 theaters around the country. It was called Jaws, it was directed a guy named Steven Spielberg, it was scary as hell, and it changed the world forever. Its unique release strategy (wide instead of limited), intense television marketing campaign, and record-breaking box office essentially created the summer movie season (and made Spielberg a household name). 40 years later, regardless of its impact, Jaws remains a masterpiece, and a much better and more interesting movie than the vast majority of so-called summer blockbusters that it birthed.

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Mad Max Fury Road
Warner Bros.
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‘Mad Max: Fury Road’ Review: The Ultimate Car Chase Movie

“This is a movie that strains at the leash of the possible, a movie of great visionary wonders.” That lovely sentence concluded Roger Ebert’s 1985 review of Mad Max Beyond Thunderdome. Thirty years later, Mad Max is finally back in a new sequel, Mad Max: Fury Road, and Ebert’s words feel truer than ever. Fury Road is an incredible achievement, one that strains so hard at the leash of the possible that it eventually breaks free and barrels headlong into the realm of insane genius. Forget Max Rockatansky; director George Miller, the guy who co-conceived and shot this gorgeous, glorious lunacy, is the true madman here. And the true hero for having pulled it off.

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Lucasfilm
Lucasfilm
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Boba Fett Will Be the Star of the Second ‘Star Wars’ Spinoff Film

May the 4th is known throughout the galaxy as Star Wars Day. So it’s the perfect time for this major bit of news, via TheWrap: the second Star Wars “Anthology” film (aka the spinoff films separate from the new trilogy that begins with Star Wars: The Force Awakens) will be an “origin story” for Boba Fett.

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Avengers 2 review
Marvel
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‘Avengers: Age of Ultron’ Review: Joss Whedon Assembles an Inspiring Blockbuster

There’s a lot to like about Avengers: Age of Ultron, but the coolest thing about it is the way it reclaims the comic book part of the phrase “comic-book movie.” Rather than using these characters to do something “edgy” or “adult” or “important,” or sanding down their quirkier edges to appeal to as broad and mainstream an audience as possible, Age of Ultron doubles down on its source material’s geeky origins.

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terminator-5-trailer-2
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‘Terminator Genisys’ Trailer: The Franchise’s Old Continuity Gets Terminated

The last Terminator Genisys trailer was so convoluted and confusing that ScreenCrush editor Mike Sampson and I spent an entire piece trying to figure out the plot of the film. (We were not successful, either.) At the very least, the new Genisys spot makes things a bit clearer. Right off the bat they also reveal one significant plot twist: John Connor (Jason Clarke) has been mechanized by Skynet and the evil computers of the future, and sent back in time to kill his mother Sarah (Emilia Clarke). Also, I just realized that Sarah and John Connor are played in this film by two actors with the same last name. Which, whoa. And, of course, there’s also Arnold Schwarzenegger back as the T-800, but this time he’s an older model who’s Sarah Connor’s protector. How and why remains to be seen, but hey, that’s why you’ve got to buy a ticket. To figure out how a robot can age and learn to a be a good guy who smiles awkwardly. (Very awkwardly.)

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Marvel
Marvel
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The Latest ‘Avengers: Age Of Ultron’ Trailer Puts the Spotlight on Black Widow

We’re approaching that point in the ‘Avengers: Age of Ultron’ marketing campaign where it can start to feel like we’ve already seen every big stunt and setpiece in the film before the movie’s even opened. But the new ‘Avengers’ trailer reveals yet another amazingly cool beat that’s never been seen before: Chris Evans’ Captain America loses his shield in battle with James Spader’s Ultron, so Scarlett Johansson’s Black Widow snatches it while trailing the fight on a motorcycle, then slides under a semi-truck Fast & Furious-style and tosses it up to Cap so he can continue the battle. Awesome awesome awesome. (Marvel’s going to try to use that as a pull-quote on the poster, aren’t they?)

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Furious 7
Universal
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‘Furious 7’ Review: One Last Ride, and It’s a Good One

Furious 7 almost certainly won’t be the last Fast & Furious movie. But at times it feels like a series finale. There are numerous callbacks and homages to the franchise’s entire 15-year history. The setpieces are bigger and crazier than ever; it’s hard to imagine anyone topping them. And before the chases really get rolling, the mood is often downright mournful. Two different scenes are set in graveyards, and characters talk about taking “one last ride” together.

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