Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy — and countless box office success in the interim — Lewis’s impact on Hollywood will be a source of much discussion for years to come.
Be honest with me: did you really want to see a picture of The Emoji Movie at the top of this article? You had to be hoping that Atomic Blonde or Dunkirk would hang strong enough to keep The Emoji Movie from finishing in the top spot of its opening weekend, right? Well, good news for you: it’s not the highest-grossing movie in America this weekend! Has there ever in the history of Hollywood been a box office one-two as disparate as Dunkirk and The Emoji Movie? Actually, don’t answer that, I don’t want to know. Here’s the projected grosses as of Sunday afternoon:
What did you see this weekend? Was it the dour World War II epic? The raunchy New Orleans sex comedy? Or the movie where Cara Delevingne shoves her head into a telepathic jellyfish’s butt? Truly, with options like this, anyone who complains about the death of cinema has no idea what they’re talking about. Anyways, here’s the box office numbers through Sunday afternoon:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
It’s been a few years since Charlie Sheen has appeared in a feature film of any type, but to hear the actor say it, he’s already lined up his big comeback project. For a while now, Sheen has been talking up the possibility of a Major League sequel that brings back the cast and crew of the original film. And now it sounds like the actor has put in the work and might be closer than ever to getting that film made with a bunch of familiar faces.
On Thursday evening, plenty of executives went to bed with dreams of big opening weekend numbers in their head. Could the movie about a magical king unseat the movie about a talking tree? Or would a mother-daughter comedy with just the right release date unseat a pair of battling sisters? Now that we’ve reached the end of the holiday weekend, we finally have the numbers, and it turns out the answer was no and no, respectively. Here’s this past weekend’s grosses as of Sunday afternoon:
It’s been nearly eight years since James Cameron’s Avatar took the global box office by storm, and while it’s become très chic for some corners of the internet to endlessly bash Avatar, I still maintain my stubborn affection for Cameron’s movie. Very few filmmakers can create action-driven science-fiction that operates at Cameron’s level; just look at how many times people have messed up Cameron’s Terminator franchise, a near-flawless formula for blockbuster movies that studios have nevertheless run directly into the ground. We may laugh at Cameron’s planned sequels, but they are both original (technically!) and creator-driven movies. Isn’t that what we claim to want from Hollywood?
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
It may seem strange to describe the eighth film in a blockbuster franchise as a transitional moment in the series, but then again, few franchises have had to deal with the death of an actor as essential as Paul Walker. The Fate of the Furious was always going to be a bittersweet affair for those involved; while the movie promised to push new characters and new relationships to the forefront, fans wondered how exactly they would choose to address the loss of Walker’s beloved Brian. The solution screenwriter Chris Morgan came up with should leave diehards and newcomers alike very pleased.
One of the most debated plots points of Star Wars: The Force Awakens has been the lineage of Daisy Ridley’s Rey. Could she be the daughter of Luke Skywalker? The daughter of Obi-One Kenobi? The daughter of… actually, come to think of it, those are the only two human Force-users we’ve met since the original Star Wars movie, so it’s either a very familiar face or someone totally out of the blue. Regardless, fans have now spent two years not knowing something about their favorite character, and that’s a long, long time for knowledge to be withheld in 2017. They’re ready for answers.
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